Strain Gauge

-----Original Message-----
From: Marc ------------------------------ @ postmaster.co.uk]
Sent: Tuesday, April 24, 2018 5:33 AM
To: '''''''''''''''''Peter Ledermann'''''''''''''''''
Subject: Straingauge testimonial

Hi Peter, sorry for delay
“I’ve been a customer of Peter Lederman and Soundsmith for 5 years now, and remain a massive fan of him and his product.
I moved up to the Straingauge from Denon 103 to Roksan Shiraz to Lyra Parnassus to Transfiguration Orpheus.
So this should tell you how good the Straingauge is for me to be so happy with it.
The Straingauge seems to get so many apparent contradictions right.
It is possible to have great speed but also be ‘in the moment’.
It is possible to have great detail resolution but also great tone density.
The cartridge pulls off the best balance of the “fast/forensic/transparent” cartridges with the “warm/dense/timbral” cartridges
Peter also remains a great guy to deal with, I place a lot in having something close to a friendly helpful relationship w designers (similar with Sean Casey of my Zu spkrs), and despite the workload that Peter deals with, he is always informative and affable on enquiries.
A top man, and top top cartridge.”

Hope that helps, Peter
Marc Czerwinski

 

 

They Said What?

Is the industry half-asleep? Or are there other powers at work preventing Peter Ledermann's Strain Gauge pickup from being the most hotly discussed cartridge on the market? Either way, it's a scandal.

(See the full review with images at bottom of page)

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